Dan Hays’ case study is exploring the animated surface on the monitor screen or projection; the pixel becomes the equivalent of the artists brush mark in his lenticular inkjet prints. Hovering between the printed image and the animation, these subtle images of landscape continue the artist’s exploration of images mediated through technology.
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Interview 16.02.09
Paul Coldwell in conversation with Dan Hays
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The Reassurance of Atmospherics
Paper by Dan Hays discussing his work
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Video
Dan Hays talks about his work:
Dan Hayes – Close to the Surface: Digital Presence from FADE research on Vimeo.
This talk is from the symposium held by FADE (Fine Art Digital Environment) at the ICA (Institute of Contemporary Art) , London. In this talk Dan Hayes discusses the use of digital processes in his practice.
This talk was presented on the 4th of November 2008.
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It is very difficult to represent a lenticular print on a computer screen but this animation is both a way of representing the effect and also the basis for making a lenticular print.
Dan Hays – lenticular print from FADE research on Vimeo.
Here are some pictures showing the working process, specifically calibrating the lenticular print:
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Lenticular lenses kindly sponsored by DPLenticular
